I have finished the clothing on both puppets. hooray!!

I first stitched on the layer that is 'skin tight' which included his shoes, trousers, shirt and jacket sleeves (see below):
Next I made his jacket, which started out as triall and error, I had to discard the first one but then I worked out a good way of doing it.
I'm not sure what it's called, but I used a stiff iron on material  ironed onto a large panel of the tights material I was using for his jacket, placed at carefully measured points. I then cut slits at the top of the jacket and tail piece meaning I could cover the backs of these sections but leaving them connected to the middle piece. I then cut neatly round these shapes and stitched around them in a grey thread with keeps the seam together but is also a part of the aesthetic design. I then measured the middle section to just fit around his waist and, hey presto we have a jacket! A few buttons and bits of book pages later it is ready to be stitched onto the puppets body.
 
I made up some hand armatures with wire and milliput and then skinned them with fine sporting injury foam dipped into latex. I didn't dip them in latex, but left the texture of the foam exposed as I didn't want a shiney quality to them and then added bits of ripped up book pages alike to the head.
If I had the time I would have made the hands out of balsa wood to be inkeeping with the head, however this would require lots of replacement hands as I need them to move, so this is a much quicker alternative and will hopefully not look too alien to each other under camera.
For the hands that you can see above, I used the lighter colour foam (left image), however when I make them for the final puppet I will be using the darker foam as seen in the right image as it matches the colour of the wood better.
I also skinned the other prototypes arms with 80 dernier tights material, which worked better than the woolly material that I had tried previously, as well as the latex for the texture of clothes. However I will be using foam and latex to skin the puppets neck as the skin of the hands will then match this.
 
After my tutorial, it was suggested that I try adding very fine sporting injury foam dipped in latex and applied with spray mount ontop of a sculpey head. Once layered it can look like paper.

Firstly I wound some wadding around the eyebrow armature. I then sprayed a light layer of spray mount over the head and applied the foam with almost dried latex onto this. I used a coctail stick to tease it into the ridges on the face.
Once I covered the whole head I added bith of ripped up book page onto the surface.
I was surprised at the end result that it did have a papery quality to it. However it was also quite shiney due to the application of the latex so I would like to test this head under camera to see if it does look too shiney.
 
I have started to test how I will skin my puppet. As I dicovered from animation testing that the armature with the 0.9mm wire is of new use I am using this for the skinning so I can continue to animate with the good armature.
I had some tights material in a grainy grey colour that I liked and would animate well which I have attached to one of the legs. This works well with movement and is tight to the leg which is good as I want him to look as slender as possible.
I tried a stretchy wool material on the right hand arm which I had in mind for his jacket, however this was harder to work with and was therefore harder to get tight to his arm alike to the material on the leg.
On his left arm I tried wrapping sporting injury foam dipped in latex, however this also appeared bulkier than the leg material aswell.

Currently I am thinking I might keep the material on the leg and get a similar material but in a different colour for the top half.